Finally, an opportunity to see Ash on the big screen. Due to the fact of living in a small city and my age, I had never been able to see Ash in his full glory. Even though I was slightly confused by the Metallica-like guitar track that played in the background of the commercials, I anticipating this event like an evangelist awaits the second coming.

How do you keep a sequel fresh? Easy, create a brand new plot! Ash is out of the house and has been transported to medieval times against his will, as promised in the final moments of “Evil Dead II”. All he wants to do is get home. Unfortunately, this is not possible since he has been prophesied as the chosen one. Employee of the month… maybe. But, Ash? Chosen one? He is sent on a quest for the Necronomicon, a book which can dispel the evil. Once he recites the incantations, he can go back to the S-Mart in peace. But that would be dull, so Ash recites the wrong words and once again must battle the undead to save himself and the kingdom, if possible.

The most attractive aspect of “Army of Darkness” is that it is a lesson in old school special effects for a digital world. Actually painted matte shots. Perspective to create size difference. A tactile army of skeletons. Gallons of messy blood. I’m not going to say that the digital revolution has ruined film. That would be insane! “Army of Darkness” uses its limitations to enhance the fun of the film. You know it’s an actor in a latex mask in the pit, but it’s so tongue in cheek you can’t help but love it.

As the legend of Ash spans time, his hubris grows out of control. The beautiful arrogance Campbell channels throughout this film should make you hate this man. We shouldn’t fall in love with a guy who could of easily avoided a mess of Deadites by simply remembering the phrase “Klaatu Verata Nictu”. But Ash is a lovable buffoon. The bastard child of John Wayne and Moe Howard.

The scope of “Army of Darkness” is grandiose in comparison to its predecessors. The hundreds of Deadite soldiers, Good and Evil Ash, medieval castles. I think it was brilliant to marry a Roy Harryhausen film with the Evil Dead formula. Considering how fickle genre fans can be, the longevity of this film is a testament to its greatness. Ask Anchor Bay how much they love this film. You don’t need to look any further that the 7000 versions they’ve churned out. It’s rare that a franchise gets stronger with each film. This is almost the case here. I would have to give a slight edge to “Evil Dead II” in favoritism, but only because you never forget your first time.

Review by Garth Thatchuk